![]() ![]() ![]() Like feathering, anti-aliasing softens the selection’s edges slightly so that they blend better, though with anti-aliasing you can’t control the amount of softening Photoshop applies. Turn on the Options bar’s Anti-alias setting to make Photoshop smooth the color transition between the pixels around the edges of your selection and the pixels in the background. Give this selection technique a spin by downloading the practice file Doors.jpg from this book’s Missing CD page at If you move a selection, you instead see X and Y axis info that indicates how far you’ve moved the selection. As you drag to create a selection, you also get a helpful overlay that displays width and height info. You can tell from the tiny + sign next to the crosshair-shaped cursor that you’re in “Add to selection” mode, so this figure now has two selections: the blue door and the red door. All selections begin at the point where you first click, so you can easily select one of these doors by dragging diagonally from its top-left corner to its bottom right. See the box on The Softer Side of Selections for the full scoop on feathering, including how to feather a selection after you create it.įigure 4-3. Using these Options bar icons (or better yet, the keyboard shortcuts mentioned in this section), you can add to or subtract from a selection, as well as create a selection from two intersecting areas. As you’ll learn later in this chapter, feathering a selection lets you gently fade one image into another image or into a color. You can enter a value (in pixels) in the Options bar’s Feather field before you create the selection, as this setting applies to the next selection you make. To soften the edges of your selection so that it blends into the background or another image, use feathering. Photoshop puts a tiny multiplication sign (x) beneath your cursor when you’re in this mode.įeather the selection. (It’s a little confusing, but don’t worry-you’ll rarely use this mode.)The keyboard shortcut is Shift-Option (Shift+Alt on a PC). If you click the Options bar’s “Intersect with selection” icon after you make a selection, Photoshop lets you draw another selection that overlaps the first the marching ants then surround only the area where the two selections overlap. Mouse over to your document and draw a box (or oval) around the area you want to deselect. A tiny – sign appears beneath your cursor to let you know you’re in this mode. Clicking the “Subtract from selection” icon (also labeled in Figure 4-3) or pressing and holding the Option key (Alt on a PC) has the opposite effect. Instead of starting over, simply switch to this mode and draw around that area as if you were creating a new selection. This mode is handy when you need to select areas that don’t touch each other, like the doors in Figure 4-3, or if you’ve selected most of what you want but notice that you missed a spot. When you click the Options bar’s “Add to selection” icon (labeled in Figure 4-3) or press and hold the Shift key, Photoshop puts a tiny + sign beneath the cursor to let you know that whatever you drag across next will get added to the current selection. When you’ve got the selection where you want it, release the space bar-but not your mouse button-and continue drawing the selection.Īdd to the selection. In this mode, you can move a selection as you’re drawing it by moving your mouse while pressing the mouse button and the space bar. When you start drawing a selection, Photoshop activates the Options bar’s “New selection” icon (see Figure 4-3).
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